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Instead, it's a bit of a rant: an essay about the ways in which women's bodies are presented in popular culture.
"I turned and looked at the reaction of my colleagues and I realized that this is something important, so I decided to write about it."The essay, penned for the Walker Art Center's Artist Op-Ed series, takes on an entertainment system that values little more than youth and sex in its female performers."Every female singer must compete in an infinite game of provocation," she writes. The goal is to put everything on display, always setting a new challenge with a higher bar: who can show more and more, who can achieve the most extreme contortions in the most acrobatic way."If you needed evidence that Tijoux is not your average rapper, the fact that she's penning op-eds about female objectification for the website of a major Minneapolis museum might be Exhibit A. WATCH: Tijoux's lyrics regularly touch on politics in ways that recall the Latin American protest music of the '70s.
Most of her viewers right now are her "friends," who seem happy just to hang out, listen to her talk, and reminisce about their shared stories. "People still come into my room asking about the coffee stand," says Eevie.
Tijoux performs at the Shrine Auditorium in Los Angeles on Saturday at the Supersonico festival.The site also provides members with a “Fetish consent worksheet” and the toolbar, which is an IE plugin that lets you know when you have mail in your account, when your ALT friends are online, etcetera.Figuring at this point that the best way to find out about the site is to chat to some of the people who use it, I logged into the “newbie” chat room. I’m thinking that the “Topical” rooms’ relative popularity gives an indication as to the levels of the site’s patronage amongst the various fetish groups and subcultures. "I see this music video on the TV, I don't remember who it was," she recalls, and then follows up with some, um, colorful Chilean-isms to describe the human posterior. The French Chilean rapper, known internationally for her rapid-fire rhymes and socially conscious themes, says the piece came to her in an airport.
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(The day-long music fest, which is being billed as a Latin Coachella, has a staggeringly good lineup: from venerable Mexican rockers Café Tacvba to reggaeton stars Calle 13 to the Tijuana electronica duo Bostich and Fussible of the Nortec Collective — among various other acts.)Tijoux, at this point, is well known in alt Latino and public radio circles for her politically charged songs — "Shock," from her 2012 album, "La Bala," critiques the economic austerity measures that hit the poor hardest and was dedicated to student protestors in Chile.