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Welling had come to Los Angeles at 23 to do commercials and modeling, but soon after his arrival in 2000, he earned a six-episode arc on the critically acclaimed CBS drama Judging Amy. That set felt a world away from his friends and family, scattered across America, and Welling had no idea how to handle it.
“Towards the end of that, I ended up getting Smallville and that was it,” Welling told Buzz Feed News one recent Saturday afternoon at the Four Seasons in Beverly Hills. “From an emotional standpoint, I was basically cut off from everyone.” In order to emotionally endure and professionally thrive, he said, “I just put my head in a hole and I basically blocked everybody and everything out.”It was a coping mechanism that served him well during his years spent playing high school sports.
“Then I was in Vancouver for 10 years.” The reality of carrying a show on his (admittedly inexperienced) shoulders was much more than Welling ever could have anticipated. But what worked on the field, in retrospect, was exactly the wrong way to go about protecting himself on Smallville, Welling realized in retrospect.
In 1999, at the height of their success, The WB developed writer Tim Mc Canlies (The Iron Giant) and Tollin-Robbins Productions’ script for a series involving a young Bruce Wayne before he’s Batman.
The young woman is now driving to the Kent Farm, but she is lost.
Her car is struck by lightning and she veers off the road and into the corn field.
Unlike the later Gotham series, which focuses on the adults and the villains, Bruce Wayne centered around a 17-year-old Bruce with shareholders who are out to kill him — literally.
While the pilot script had some good reviews, did not even get to the filming stages, likely quashed by the Warner Bros. With Batman off the table, The WB rolled the dice by going after a concept that studio executive Peter Roth had been wanting to do for decades — a series about a young Superman.